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SECTION E – DRESSAGE AND PARA-DRESSAGE
INTRODUCTION
For any circumstances not specifically covered in these rules, reference should be
made to the publications listed below. EC General Regulations can be purchased
through the EC e-store or downloaded for free from the EC website at
www.equestrian.ca. FEI rules can be obtained from the FEI website at www.fei.org.
• EC General Regulations
• FEI General Regulations (FEI Sanctioned Events)
• FEI Rules for Dressage Events (FEI Sanctioned Dressage Events)
• FEI Rules for Children, Ponies, Young Riders and Juniors (FEI Sanctioned
Dressage Events)
• FEI Veterinary Regulations (FEI Sanctioned Events)
Since every eventuality cannot be provided for in the EC rules, for any unforeseen
or exceptional circumstances, it is the duty of the officials and the competition
management to make a decision in a sporting spirit and approaching as nearly as
possible the intention of these rules.
OBJECTS & PRINCIPLES
ARTICLE E 1.1 OBJECTS & PRINCIPLES – EC
1. EC adheres strictly to the FEI dressage terminology. Athletes therefore can
study the description of the paces, movements and figures and be sure that they
are on the correct path to international competition, which is governed by the
FEI.
2. Any FEI rule amendments that alter the following FEI Rules will be effective
when published by the FEI.
ARTICLE E 1.2 FEI ARTICLE 401 OBJECT AND GENERAL
PRINCIPLES OF DRESSAGE
1. The object of dressage is the development of the horse into a happy athlete
through harmonious education.
As a result, it makes the horse calm, supple, loose and flexible, but also
confident, attentive and keen, thus achieving perfect understanding with the
athlete.
These qualities are demonstrated by:
The freedom and regularity of the paces;
• the harmony, lightness and ease of the movements;
• the lightness of the forehand and the engagement of the hindquarters,
originating from a lively impulsion;
• the acceptance of the bit, with submissiveness/throughness (Durchlässigkeit)
without any tension or resistance.
2. The horse thus gives the impression of doing, of its own accord, what is
required. Confident and attentive, submitting generously to the control of the
athlete, remaining absolutely straight in any movement on a straight line and
bending accordingly when moving on curved lines.
3. The walk is regular, free and unconstrained. The trot is free, supple, regular, and
active. The canter is united, light and balanced. The hindquarters are never
inactive or sluggish. The horse responds to the slightest indication of the athlete
and thereby gives life and spirit to all the rest of its body.
4. By virtue of a lively impulsion and the suppleness of the joints, free from the
paralyzing effects of resistance, the horse obeys willingly and without hesitation
and responds to the various aids calmly and with precision, displaying a natural
and harmonious balance both physically and mentally.
5. In all the work, even at the halt, the horse must be “on the bit”. A horse is said
to be “on the bit” when the neck is more or less raised and arched according to
the stage of training and the extension or collection of the pace, accepting the
bridle with a light and consistent soft submissive contact. The head should
remain in a steady position, as a rule slightly in front of the vertical, with a
supple poll as the highest point of the neck, and no resistance should be offered
to the athlete.
6. Cadence is shown in trot and canter, and is the result of the proper harmony that
a horse shows when it moves with well-marked regularity, impulsion and
balance. Cadence must be maintained in all the different trot or canter exercises
and in all the variations of these paces.
7. The regularity of the paces is fundamental to dressage.
SECTION E DRESSAGE AND PARA-DRESSAGE PDF
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